Here’s the review:
When I finished this book, I slowly rose, lifted it protectively to my chest, walked a short distance to place it tenderly on a shelf, slumped to the floor, and stroked my sweet kitten. Only then did I begin to cry.
Did not expect that. Thinking on it, though, it makes perfect sense. Poetic, beautiful, miserable, realistic, empty-but-not, pointless-but-not sense. How many kidnappings happen like this? How many lives of the most unfortunate, whatever their circumstances—war, abuse, famine, bigotry—happen like this, in total ignorance and agony? Why? There’s no reason, none good enough. This is real stuff. No movie gloss, no impossible stunts. Just cruelty and slow, sad loss of almost everything.
Expected this to be sort of a combo of hellish reality TV and Saw. Bits of both, with added essence from Danganronpa and Changi, with some seriously twisted psychological experimentation included, whether that is His (the unknown captor’s) purpose or not. Was numb throughout most of it, but heavily compelled to read on, gutted by the helplessness, desperation and almost-utter-hopelessness—there is still some lovely, stubborn optimism hidden in here—every sensation delivered painfully by the diary format, nothing to do but self-reflect, survive, and maybe try to make things less terrible for those you’ve come to care for and depend on. Being as in the dark as the characters as to every how and why was frustrating, but, again, it’s real. Most everyone’s guts would be twisted and minced, reading this.
Loved Linus—he’s nothing but a sweet kid trying to sort himself out, only to be snared into nightmare by his good heart. Seeing him left to try and finish this sorting out in such a brutal situation is heartbreaking. Every character, their reactions, their attempts to cope—they’re all relatable, all understandable. Linus’ perspective of his fellow prisoners is poignant—through him, I see much of myself in this mixed bag of individuals. Not a great thought, in some cases. They don’t all get on—there’s some serious dislike going on with any number of causes—but there’s no desire to hurt, no sinking en masse into uncontrolled violence, despite no hope of salvation (though things get rougher with His intervention). I’m glad of this. It’s one of very few bright-ish points in this bleak novel.
The stream of consciousness parts are pretty intense—don’t think I’ve read any quite so raw. The random reflections and great importance of such little things, like remembering rhymes, worked well. What do people think about in this situation? What can they think about in this situation? Anything to distract, even when they can’t think about finding distractions any more—a powerful protective mechanism, I think.
I’ll repeat a few words to finish, I suppose—painful, realistic, beautiful. Very dark, clever and thoughtful, terrible content handled not quite delicately, but humanly. Kevin Brooks is most deserving of the high praise The Bunker Diary has received. Four and a half stars from me—shall be thinking of random moments from this book at random times for a long while.